Current Works
By KCSCP Society for Contemporary Photography in Current Works Catalogues
100 pages, published 10/20/2024
By KCSCP Society for Contemporary Photography in Current Works Catalogues
84 pages, published 9/23/2023
By KCSCP Society for Contemporary Photography
84 pages, published 1/5/2023
By KCSCP Society for Contemporary Photography
94 pages, published 11/19/2021
By KCSCP Society for Contemporary Photography
88 pages, published 11/30/2020
By KCSCP Society for Contemporary Photography
86 pages, published 8/27/2019
By KCSCP Society for Contemporary Photography
84 pages, published 11/16/2020
By KCSCP Society for Contemporary Photography in Current Works Catalogues
132 pages, published 9/15/2017
By KCSCP Society for Contemporary Photography in Current Works Catalogues
40 pages, published 9/23/2023
By KCSCP Society for Contemporary Photography in Current Works Catalogues
44 pages, published 10/28/2015
KCSCP - Special Projects
By KCSCP Society for Contemporary Photography
122 pages, published 3/12/2024
KCSCP - Member Publications
Oklahoma: Jeff Burk, Photographer
About the Book
A collection of 75 sequenced color photographs taken over eighteen years, showing aspects of Oklahoma's culture.
Author website
Quiet Places : photographs by Jeff Burk
About the book:
To offset information overload in this fast-paced era, slowing down to really assess the world we live in has become more important than ever. Photography is the perfect tool for deliberate observation - an attitude that has been at the core of photographic practice from its beginning - and is exemplified by photographer James Mudd’s 1856 remark about “counting the bricks” in a daguerreotype. With that stance in mind, my first objective is to portray the visual delights I find in overlooked or forgotten places.
On a more subjective level, these photographs are not statements so much as questions about how we use the land we occupy. I am skeptical of the reasoning behind the construction of public and private spaces. Some of my pictures show the disorder of order. Others are about relationships between objects that have conflicting symbolic implications. Still others refer to a kind of lost grandeur. These are some of the ways I capture a sense of the uncommon vernacular landscape before a homogeneous topography can replace it.
Unquestionably, there are autobiographical elements to my photography. But I am more interested in the biography of America suggested by a collection of characteristic iconography. Some have termed this kind of document-making “above-ground archeology.”
Although the individual images can stand alone, their cumulative effect reveals deeper meanings through contextual relationships.
The photographs were shot between 2002 and 2008. The images are made from scans of 6x7 and 4x5 black and white film.