Current Works

Current Works, 2024 - Adam Finkelston, Juror
Current Works is Kansas City Society for Contemporary Photography’s (KCSCP) annual juried exhibition. This exhibition showcases the immense photographic talent in the midwest region, exhibiting all forms of photographic processes and applications. We look for new and innovative ways artists use modern photographic techniques to express their creativity as well as those who embrace the traditional form of photography. We strive to have highly…
Current Works 2022 | Juror - April Watson

By KCSCP Society for Contemporary Photography

84 pages, published 1/5/2023

Kansas City Society for Photography's annual juried exhibition, Current Works catalog of chosen artists. This year's juror, April Watson is the Senior Curator of Photography at the Nelson Atkins Museum of Art in Kansas City, Mo. This museum holds an extensive photography collection.
Current Works 2021 | Juror - Deanna Dikeman

By KCSCP Society for Contemporary Photography

94 pages, published 11/19/2021

This is a catalogue of photographic works by artists selected to exhibit in Kansas City Society for Contemporary Photography's annual juried show: Current Works. Current Works 2021 was juried by nationally and internationally known photographer, Deanna Dikeman.
Current Works 2020 | Juror - Megan Benitz

By KCSCP Society for Contemporary Photography

88 pages, published 11/30/2020

Current Works is Kansas City Society for Contemporary Photography's annual juried exhibition. This year our juror was Megan Benitz. Megan is the Registrar and Exhibitions Manager at the Albrecht-Kemper Museum of Art in St. Joseph, Missouri. She has served as Interim Executive Director since January 2020.She selected works from 23 vastly unique photographic artist to fill the show with 37 pieces. The exhibition is on display in the…
Current Works 2019 | Patty Carroll

By KCSCP Society for Contemporary Photography

86 pages, published 8/27/2019

KCSCP's annual juried exhibition catalogue featuring 26 photographers and 40 pieces.
Current Works 2018 | Juror - Philipp Eirich

By KCSCP Society for Contemporary Photography

84 pages, published 11/16/2020

Kansas City Society for Contemporary Photography's annual juried exhibition.
Current Works 2017 | Juror - Keith Davis
This is Kansas City Society For Contemporary Photography's 3rd annual Current Works juried exhibition catalogue. Our 2017 juror was Keith Davis a preeminent authority on photography and the Senior Curator of Photography at the Nelson Atkins Museum of Art in Kansas City.This catalogue features Keith's juror statement, works from 43 photographic artists and the KCSCP president's statement.
Current Works 2015 | Juror - Jan Schall
This Kansas City Society of Contemporary Photography's first exhibition catalogue of images chosen by Jan Schall and were on view at the Haw Contemporary in Kansas City of November 2015

KCSCP - Special Projects

Portrait of a City

By KCSCP Society for Contemporary Photography

122 pages, published 3/12/2024

Portrait of a City was born of a desire to create a collaborative portrait of Kansas City informed by thestyle and spirit of photographer Evelyn Hofer and her photobook projects of major metropolitan cities.The Nelson-Atkins Museum of Art presented Evelyn Hofer: Eyes on the City, the first major museumexhibition of her work in over fifty years, from September 16, 2023 through February 11, 2024. As acollaborative project between the…

KCSCP - Member Publications

Oklahoma: Jeff Burk, Photographer

About the Book

A collection of 75 sequenced color photographs taken over eighteen years, showing aspects of Oklahoma's culture.

Author website

http://www.jeffburk-photo.com

Quiet Places : photographs by Jeff Burk

About the book:

To offset information overload in this fast-paced era, slowing down to really assess the world we live in has become more important than ever. Photography is the perfect tool for deliberate observation - an attitude that has been at the core of photographic practice from its beginning - and is exemplified by photographer James Mudd’s 1856 remark about “counting the bricks” in a daguerreotype. With that stance in mind, my first objective is to portray the visual delights I find in overlooked or forgotten places.

On a more subjective level, these photographs are not statements so much as questions about how we use the land we occupy. I am skeptical of the reasoning behind the construction of public and private spaces. Some of my pictures show the disorder of order. Others are about relationships between objects that have conflicting symbolic implications. Still others refer to a kind of lost grandeur. These are some of the ways I capture a sense of the uncommon vernacular landscape before a homogeneous topography can replace it.

Unquestionably, there are autobiographical elements to my photography. But I am more interested in the biography of America suggested by a collection of characteristic iconography. Some have termed this kind of document-making “above-ground archeology.”

Although the individual images can stand alone, their cumulative effect reveals deeper meanings through contextual relationships.

The photographs were shot between 2002 and 2008. The images are made from scans of 6x7 and 4x5 black and white film.